This series was photographed at Glenwood Cemetery in Houston, Texas, using FPP Frankenstein 200 film pushed to 400 to draw out its moody contrast and silver-rich texture. The result is a hauntingly calm dialogue between life, sculpture, and decay — where stone angels and worn epitaphs feel alive in shadow.

Shot entirely on film, this project explores the way light moves through stillness — how monuments carved for remembrance slowly merge with nature and time. Every frame carries the tactile imperfections of analog photography: the grain, the ghosted edges, the faint unpredictability that digital cannot imitate.

No after-effects or digital edits were applied. These are raw scans straight from the negatives — a true representation of how the film stock and aperture settings render tone, contrast, and atmosphere.

These images are not about loss, but preservation — proof that beauty and memory endure quietly, even as the world forgets.